
Whispers on Paper - A Solo Exhibition by Ling-Lan Tseng
On a single sheet of paper, light and shadow are sculpted into being. Time is suspended. Life stands still—quietly observed. Whispers on Paper draws inspiration from the natural world and its creatures, using the pliability and layering of paper to compose poetic scenes where stillness and movement intertwine. From birds perched among cherry blossoms, to sleeping cats and tigers atop stone, to a white peacock beneath a cascade of paper feathers, each piece captures a suspended moment, silently resonating with emotion and tender introspection.

Stitching Through Time: The Embroidered Legacy of Guang Cai, Tainan
Historically known as an ancient capital city, Tainan has long stood as a cradle of craftsmanship and the birthplace of Guang Cai. Inheriting the intricate traditions of hand embroidery, Guang Cai has devoted decades to religious textiles, cultural restoration, and the art of everyday fabric. The founder, Mr. Yu-Chuan Lin, dedicated 67 years to this craft, producing masterpieces that have graced temples, folk rituals, and cultural landmarks across Taiwan, laying a firm foundation for the nation’s legacy of embroidery. Today, his daughter and successor, Chieh-Yu Lin, carries this tradition forw

Auspicious New Life: Divine Spirits, Mythical Beasts, and Emotional Bonds — A Solo Exhibition by Wei-Jen Tsai
At the intersection of intimacy, faith, and imagination, Tsai sculpts characters that lie between folk iconography and personal narrative, using acrylic and paper-mache as his primary media. The works in this exhibition span from the Double Joy series, which explores themes of attachment, to pieces such as Taiwan’s Guardian Beast, Out of the Tiger’s Mouth / Leaping Over the Dragon Gate, and Longevity/Blessings/Wealth, which symbolize blessings and positive transformation. Each work responds to the question of how the language of visual foldk art can be used to tell stories of depth and of the

Inside and Outside the Painting: The Stillness and Motion of Parade Formations
In line with EVERRICH’s mission to promote Taiwanese art and culture, this exhibition features the legendary Taiwanese artist Chih-hsin Lin, showcasing pieces 14 through 22 from his 20-year “Welcoming Mazu (迎媽祖)” woodblock print series in this gallery corridor. In parallel, the Cultural and Arts Gallery (A9) presents four animated versions of these prints (會動的迎媽祖) by TNUA professor Jia-ming Day, along with a behind-the-scenes documentary that reveals the process of transforming prints into moving images.

The Divine Generals Onstage - Oil Painting Solo Exhibition by Jian-Yu Zhuang
The Eight Generals (Pa Chia Chiang), iconic figures in Taiwanese folk religion, serve not only as ritual symbols of religious devotion but also as cultural guardians. In traditional folk formations, their commanding presence is conveyed through vividly painted faces, ornate costumes, divine implements, and fearsome choreographed movements, such as the Seven-Star Steps (七星步) and Eight Trigram Formation (八卦陣), that embody their role in expelling evil and warding off malevolent spirits. This year, the EVERRICH Foundation has selected “Parade Formations in Folk Art (藝陣文化)” as the central theme of

A World of Art Inside the Lion Head
This exhibition is presented as part of the EVERRICH Arts Festival (昇恆昌藝術季) and centers on the theme “A World of Art Inside the Lion Head,” showcasing the lion head culture of central Taiwan. The exhibition features works by Shun-jung Shih, founder of the Lukang Decorative Lion Head (鹿港花獅), inviting visitors to step into the world of lion head artistry and glimpse the artistic universe he has created.